Since the middle of the Qing Dynasty, it was only in the late Qianlong period that it began to climb the mahogany of the historical stage. The written records were first seen in the twenty-ninth chapter of the book "Antiquities Guide": "The only so-called mahogany of the world is a term for wood. It doesn't mean red wood. It's also good for wood. In addition to red sandalwood, redwood is the most important."

Although this paragraph about "Redwood" does not fully summarize the characteristics of the mahogany, but a few lines of text, has been a small meaning, for its become a carrier of the mahogany culture to give a pedigree, and this past life "The so-called mahogany" is a scent of centuries, and it is still shining in the sequence of today's mahogany family, and it is the red rosewood.

The "Xian Zuo" furniture, which is dominated by red rosewood, has received much attention from the mahogany industry in recent years, but the red rosewood has taken the lead as a protagonist on the stage of luxury furniture, but it has more than 300 years of history. It was only during the Qing Dynasty that she became an alternative material, often masked by the radiance of huanghuali and red sandalwood. Its own "artistic beauty" is not deeply immersed by the world, causing the cultural "weird" phenomenon that the red rosewood is rarely talked about.

In fact, whether it is the orderly inheritance of the mahogany culture or the practicality, artistry and value-added of the red rosewood furniture itself, the red rosewood furniture has a unique charm. Its cultural faults are neither fair nor complete for red rosewood furniture, for followers of many mahogany cultures and for jewelers of mahogany furniture. If so, let us rest on the "rights and wrongs" of the high-profile, paranoid word, approach the red rosewood furniture, and feel her "family beauty".

Sexual beauty
"Ruilian is not awkward, and the clean side is also." This language comes from the saying "Jade has five virtues" in the Eastern Han Dynasty (ie, Renyizhiyongjie). Among them, "clean" means that the edge of the broken jade will have a sharp break, but it will not cause harm if it is touched by hand.

Compared with huanghuali and red sandalwood, the redwood is more woody, and it is not completely dry during natural air drying. After being placed in the open air or after being formed, it will cause wood distortion and a certain degree of dryness. However, the fiber is short and the texture is fine. After the opening of the red rosewood raw material, the edges and corners of the sheet and the square material are not polished, and the edges thereof are not caused by wood thorns, so that the hands are rubbed. This is not only the author's personal experience, but also verified from the workers who processed red rosewood. In their many years of experience, there have been few cases of wood stabbing.

The chordwise tube hole diameter of the red rosewood is 104 μm, and the air dry density is 1.01 to 1.09 g/cm 3 . The two physical indicators, the former is lower than the red sandalwood (92μm sandalwood rosewood), higher than the yellow pear (114μm of scented rosewood); the latter is higher than the yellow pear (0.82 ~ 0.94g / cm3) ), lower than red sandalwood (sandalwood rosewood is 1.05 ~ 1.25g / cm3). It can be seen that the red rosewood raw material has considerable plasticity compared with huanghuali and red sandalwood. Therefore, in the process of making and processing red rosewood, the horizontal and vertical can be cut down, and the carving does not collapse without eating a knife. Performance and hierarchical layout are not limited by the characteristics of the seed material. In practical use, it naturally creates a lot of creative space.

Heaven and earth have great beauty without saying anything. The virtues of red rosewood as a good material are in harmony with the inherent high purity of jade, which is a wonderful testimony to the values ​​of the “everything is alive” that we often hold.

Texture beauty
Red rosewood becomes a substitute for huanghuali and red sandalwood, which is undoubtedly the result of the karma in the history of redwood. Its emergence, on the one hand, is the crystallization of the labor wisdom of the generations of artisans. On the other hand, it has occupied an important place in the sequence of the Redwood family for hundreds of years, and it is also determined by its own characteristics. In addition to the "woody beauty" mentioned above, the feature also includes its inherent texture beauty.

Wang Shizhen said in the "Lingstyle Furniture Research" text on page 143: "The new mahogany color is reddish, with patterns, sometimes quite like huanghuali." The so-called new mahogany, especially the color yellowing is easy to distinguish from Huanghuali. . Many friends think that the textures such as "ghost face pattern", "landscape pattern", "water ripple" and "phoenix eye" are unique to huanghuali. In fact, it is not entirely true. Red rosewood also has a variety of changes and smartness. Texture, expensive for the cherished, its performance is not inferior to Huanghuali, so Wang Shizhen's old book said "difficult to distinguish" the situation, from another side affirmed the appearance of red rosewood, sometimes completely comparable to yellow Pear.

The texture of the red rosewood not only competes with the yellow pear, but also fights with the red sandalwood. It is also in no way inferior. Zhou Mo's "Mu Jian" in the "Redwood" chapter uses a number of pages to talk about: red, yellow and black spots, Venus landscape paintings, Venus gold silk in the sandalwood rosewood effect, in the old mahogany Can also be seen in the middle. "No matter how long the furniture is, the dark stripes of different widths are the imprint of the old mahogany." What's more interesting is that the author also specifically mentioned that some counterfeiters use their appearance close to the sandalwood sandalwood. Features are incorporated into the logs of sandalwood rosewood for sale.

"New Redwood" pretends to be a huanghuali, "old mahogany" as a sandalwood rosewood, if there is no considerable talent to make a sigh of relief, even if it is posing, it is not so easy, right?

Beauty of color
The Chinese people’s view of property cannot be separated from “thickness, bigness, and sinkiness”. Therefore, the advent of mahogany furniture, in addition to being a cultural carrier, she is also a sign of wealth ownership. After the red rosewood furniture is formed, the volume is heavy, which is the characteristic of the red rosewood. Its air-dry density is close to that of sandalwood, so the small material feels heavy when it is used, and the two woods hit each other. , showing a metallic texture.

If the beauty of the texture of the red rosewood is a visually dynamic beauty, then the beauty of the color of the red rosewood may be said to reflect the static beauty of the sensory experience. "Some of the old mahogany produced in northern Thailand, the color is close to sandalwood rosewood, the surface is purple-black, oily, black stripes are clear" (Zhou Mo "Mu Jian"), these red rosewood with the essential characteristics of sandalwood sandalwood After being processed into furniture, the sandpapers with the labels 180, 240, 400 and 600 are polished and the wheel is polished. It is like a "young woman's musculoskeletal" which is generally soft and soft, and inadvertently glows with a satin-like luster. If it passes through the precipitation of the years, its appearance after the patina is a bit more confusing than the sandalwood rosewood.

The beauty of the color of red rosewood, indulge in sorrow, and subtlety, after you have passed the eyes of the eye, you can still chew it even, and the aftertaste is endless...

Beauty of rhyme
The rhyme of mahogany furniture is directly related to the structure of the furniture, and the structure of the furniture comes from the size of the furniture. Therefore, the size of the furniture is the core issue. From a business perspective, the structure of the furniture is related to whether the furniture can be sold. The selection of materials, manufacturing processes, engraving techniques, etc., determines the problem of selling more furniture.

Take the author to see a pair of red rosewood "Ming-style assorted fence railing grid" as an example: this Ming-style bookshelf is made entirely of red rosewood. Its four-layer shelf railings are all made up of more than 300 pieces of small materials. After all the small materials have been rounded and smashed, the internal lattice corners are very soft. From the bottom up, her four-story shelf railings show a variety of patterns, such as straight plaques, plaque variants, ice cracks, and pitching hills. They reflect the structural changes of classical furniture. The process of forming a decoration.

The subtlety of small material splicing is that it is not simply forming a decoration, but the stress of the spliced ​​small material is small, avoiding the influence of the woody change on the structure, and the damage to the appearance of the appearance, although the red rosewood is large, but from This study of the red rosewood study furniture, its exquisite craftsmanship, not only clever use of the splicing process to ensure structural stability, and the elegant shape and the appearance of the condensation for the performance of the rhyme of the perfect addition This work fully embodies the craftsmanship of "Xian Zuo" heavy art and light materials, and also reflects that the production ability and aesthetic level of "Xian Zuo" study mahogany classical furniture has reached a new height.

The red rosewood is rooted in the soil of today's "Xian Zuo". The mahogany classical furniture, which is mainly based on it, is under the care of the "Xian Zuo" craftsmanship, and it is full of new artistic vitality, showing the vigorous artistic charm. Red rosewood and huanghuali and red sandalwood are compatible with each other, and the diversified mahogany culture can be developed healthily. For example, in the twenty-ninth chapter of the book "Antiquation Guide": "But the output is very high, and it is better. Easy. So the world sees it, not as precious as the red sandalwood. The situation is not in the artistic life of our generation of mahogany. This is where the avenue exists and the beauty is.

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