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The summer movie market is very lively, but this lively is not a domestic children's film. Children's films (non-animated films) are still bleak on the cinema's platters. This is not a secret in the industry. For a long time, children's movies and minority movies, drama films, and rural-themed movies belong to the disadvantaged movie theme, and they are in the foil of the huge movie market cake.
Do children not like to watch movies? Of course not, if the domestic children's film can not occupy the market, foreign children's films will be occupied. The second-grade elementary school’s nephew is interested in Hollywood animated films, such as a few Jane Jane’s. Ask him why, the answer is not true, "too far from my life." Under scrutiny, it was found that not only did he not like to watch domestic children's films, but his classmates were also fans of Hollywood and Japanese animation, and he did not have much interest in domestic children's films.
Confucius said that the courtesy of the rites. Adults who film children's films may also want to listen to the opinions of the children who are the audience.
What is wrong with the domestic children's films is not to be seen by the children. Driven by curiosity, I reviewed the winners of the two most prestigious film awards in the past ten years – the China Film China Watch Awards, the Outstanding Children's Cattle Film Award and the China Film Golden Rooster Award for Best Children's Film. As we all know, these two awards are the highest awards for Chinese film children's films. To some extent, they represent the highest level of children's films. They can be regarded as the weather vane of domestic children's films.
This look, I really saw some doorways. First look at the awards for the Golden Rooster Award for Best Children. Since 2004, a total of six films have been awarded, namely the 24th "School on the Road" (2004), the 26th "The Secret of Baohulu" (2007), the 27th "Take the Road" (2009), the 28th "Guardian Childhood" (2011), the 29th "My Shadow is Running" (2013), the 31st "Children of Ujumqin" (2016). Just look at the name to explain what the problem is, let me repeat the main content of each film in one sentence.
"On the Road to School" tells the story of Wang Yan, a female student of Tongxin County, Ningxia, who is trying to raise the tuition and fees of 24.8 yuan. "The Secret of Baohulu" tells the story of the success of the primary school student Wang Hao through the help of a treasured gourd that can only fulfill any wish, and finally understands the story of success and recognition by others, only through their own efforts. "Walking on the Road" tells the story of the Wawa and Naxiang sisters who lived on the edge of the Nujiang River in Yunnan. In order to go to school across the river, they had to hang on the line every day and sneak through the river. "Guardian Childhood" tells the story of the extraordinary emotional interaction between the female police officer Xue Ziying and the prisoner's child Qin Xiaoliang. "My Shadow is Running" tells the story of a single mother, Tian Guifang, who alone raised the son of Asperger Syndrome (light autism). "The Child of Ujumqin" tells the story of the growth of Mongolian children and a little pony.
In combination, in the six films, in addition to "The Secret of Baohulu" and "Children of Wuzhu Muyu", the other four films seem to boil down to the narrative of suffering. This reminds me of the article "Thanks for Poverty" written by a girl who recently admitted to Peking University with 707 points: "Although it narrows my vision, stabbed my self-esteem, and even took away my dear life indirectly, but I Still want to say, thank you, poverty." These films are touching, inspirational, and educational, worthy of watching. But is it some distance from the children's lives?
Let's take a look at the China Film China Watch Awards for the Outstanding Children and Cattle Film Awards. The China Film Boys Award was incorporated into the China Film China Watch Awards in 2005. From the 4th China Watch Awards since 2007, a total of 14 outstanding films won the Children's Bull Award.
In the 12th session, there are 3 departments, "Network Boys" (2005), which tells the story of young female teacher Solara, through her love and network technology expertise, to guide students to get rid of internet addiction, re-recognize the network and return to normal life; Wings (2007), telling the girl who was unfortunately hit by high-voltage electric shock and lost her arms, earned her self-reliance, returned to school and achieved good results in the National Paralympic Games, and obtained inspirational stories for entering the Paralympic Games; Classroom (2007) tells a touching story of a retired old man and a student who has lost both parents. There are 3 in the 13th session, "Going to School" (2009), see the front; "The Boys' New Biography of Jiali" (2009), tells the ups and downs experienced by boys and his classmates in their second year of study and life; Buying's 2008 (2008) tells the story of children from ethnic minority villages in Xinjiang to build a football team for the Olympic Games and let the villagers build their hometown under the Olympic spirit. There are 3 in the 14th session, "Xinghai" tells the story of the childhood of the musician Xing Xinghai 100 years ago; "See You in Heaven" (2009), tells the story of the left-behind children and the left-behind old people; "Children's Things" (2010) ), tells the story of the newly-developed class teacher who teaches in accordance with his aptitude and grows together with a group of “problem studentsâ€. There are 4 in the 15th edition, "My Shadow is Running" (2013), see front; "Some people praise smart, some people don't" (2012), telling the story of how a child who runs away from home can contact another family. . The "Citywide College Entrance Examination" (2013) tells the story of a series of high school ninth class teachers from a century-old school leading the whole class in the sprint of the college entrance examination to determine the fate of students. "Youth" (2013) tells the story of the heroine's loss of college entrance examination due to loss of love, returning to campus to re-read, re-experience the youth story of college entrance examination, love, friendship. There is one in the 16th edition, "The place where the family is rich in water and grass", telling the story of a pair of Yugu teenagers who have been separated from each other by looking for their father and their hometown and riding a camel in the western wonderland.
The 14 films, "Citywide College Entrance Examination" and "Youth" are strictly not supposed to be children's films, and it seems more appropriate to be classified as a youth film. The remaining 12 films, I think, 6 of them belong to the aforementioned narrative of suffering ("Network Boy", "Invisible Wings", "Two People's Classroom", "Going to School", "Let's See You in Heaven", "My Shadow is run").
The film should reflect reality and should face social issues, but is the proportion of children's films that reflect suffering a bit high? Is the proportion of this suffering narrative (66% of the Golden Rooster Award since 2004 and 50% of the China Watch Award since 2007) difficult to achieve in adult-oriented movies? Can such a hard-working film be able to raise children’s interest in children’s movies?
A few years ago, some experts pointed out that the screen's family ethics drama entered the strange circle of “three broken and one bitter†(referring to broken family, broken emotions, broken marriage and family hardship materials). Is our children's film also caught in a certain circle of preference for some kind of suffering narrative?